After Dark - The Resurrection EP
Michael Ballue - hellridemusic.com

I'm not sure this band (featuring ex-members of Agnosis and Supervillan) hasn't done some small scale shooting themselves in the foot with this press sheet which claims "crushingly heavy while avoiding traditional metal clichŽs " and then in the next breath influences such as Danzig, White Zombie and Alice Cooper. To their credit they are definitely far heavier than any of their stated influences. And to my ears those influences are far from obvious. There's a touch of Danzig in the vocal melody lines, a hint of White Zombie in the occasional "pumping beat" rhythm and a chorus here and there, and just a ghost of old Alice in the song writing.

The reason I say the press sheet may be doing them no favors is that by and large this material is better than the majority of Danzig and White Zombie's material and not too likely to appeal to fans of old Alice Cooper. "God of the New Flesh" is first up and a pretty good statement of intent with the very clear and powerful production (engineering and production done by band members, so big kudos there) putting the thickness of the guitars and the pummeling of the rhythm section right up in the speakers. Topped off with growling but decipherable vocals, this song shows the bands ability to write and perform songs that are seriously heavy but remarkably catchy at the same time (no mean feat that). The following four tunes all manage to carry some element of that combination to them, but with significantly different levels. Two of them: "Lost in a World of Ghosts" and "Blood is Horror" set the bar even higher and heavier than the opener and two: "Resurrection" and "Susperia" straying dangerously toward (but not fully into) overly commercial territory.

I get the feeling that this band would get a crowd going live (and no doubt have in the Lower East Side Clubs). This is a promising debut, especially worth looking into for those into the more commercial end of heavy rock. I usually don't have much time for that end of the spectrum, it's rarely heavy or catchy enoughÉ.but in this case the majority of the time it is.

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